Things That Could Not Be Improved # 10: Kenna Takahashi, Anne Frank, Lucy Howard-Taylor, Irène Némirovsky, Evelyn Waugh, Bruce Barone, Patric Shaw, Frida Kahlo, and tetheredto

The above photo was posted by Kenna Takahashi.

This is the 10th edition of “Things That Could Not Be Improved,” a grouping of things that need not be, or could not be, improved.  I’m not a proponent of perfection, but I love seeing well-conceived and well-crafted artworks:

(Click on the images if you wish to view them individually or larger.)

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I was reading the Diary of Anne Frank today and it reminded me of the book “Biting Anorexia” which I recently read and reviewed. 

From the Diary of Anne Frank, Thursday, March 16, 1944:

“I’m closed up tighter than a drum.  Above all, I have to maintain my air of confidence.  No one must know that my heart and mind are constantly at war with each other.  Up to now reason has always won the battle, but will my emotions get the upper hand?  Sometimes I fear they will, but more often I actually hope they do! . . . Anne is crazy, but then these are crazy times and even crazier circumstances. 
     The nicest part is being able to write down all my thoughts and feelings;  otherwise, I’d absolutely suffocate.”

In some ways, modern memoirists, like Lucy Howard-Taylor, have chosen to express their fears and contradictions publically instead of only writing them in their diaries.  And I believe the rest of us benefit from being able to read such honest and revealing struggles.

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In Irène Némirovsky’s novel Suite Francaise, the character of Gabriel Corte, who is a novel writer, says:

“I keep telling you, you don’t pay enough attention to the minor characters.  A novel should be like a street full of strangers, where no more than two or three people are known to us in depth.  Look at writers like Proust.  They knew how to use minor characters to humiliate, to belittle their protagonists.  In a novel, there is nothing more valuable than teaching the lesson of humility to the heroes.  Remember, in War and Peace, the little peasant girls who cross the road, laughing, in front of Prince Andrei’s carriage?  He speaks to them, directly, and the reader’s imagination is at once lifted;  now there is not just one face, not just one soul.  He portrays the many faces in the crowd.”

The book’s narrative voice then says about Corte:

“He hated the war;  it threatened much more than his lifestyle or peace of mind.  It continually destroyed the world of the imagination, the only world where he felt happy.  It was like a shrill, brutal trumpet shattering the fragile crystal walls he’d taken such pains to build in order to shut out the rest of the world. . .

. . . He asked to see the newspapers.  She gave them to him without a word.  They came in from the terrace and he leafed through the papers, a dark look on his face.  “All in all,” he said, “nothing new.”  . . . He went white with anger.  “Listen to me!  I don’t want to hear anything.  Tomorrow, tomorrow will be soon enough.  If I hear any bad news now (and it can only be bad with these c**** in government) my momentum will be lost, my inspiration blocked.” pp. 15-16.

Commentary:  I have from time to time expressed similar sentiments.  We live in a “Front Page Headline” culture where we are constantly bombarded with the worst news the editors can find from some tragic event going on somewhere on this instantaneously internet-connected planet.  And the barrage of bad news about imcompetence, inconsideration, and greed can crush the most good-hearted and spirited of people. 

Part of the reason I try to regularly publish new and hopeful ideas and artworks is to create a balanced place where people can be reminded of the better aspects and actions of humanity.  I do not blind myself to the bad things going on, but I also think we need more representation of the many good things people are working hard to maintain and build every day.

For me, keeping up a hopeful spirit is a daily battle.  So, I try to assist others who might struggle with the same frustrations.

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I’m watching the incredibly good 1981 version of Evelyn Waugh’s Brideshead Revisted.  Here are some lovely quotes from the film:

“To know and love one other human being is the root of all wisdom.”
     – Charles Ryder

“However you look at it, happiness doesn’t seem to have much to do with it.  And that’s all I want.” 
     – Sebastian Flyte

Watching it, my mind made these observations:

Why Create Films?

Create them because the modern male has, on average, very little willingness to read complex novels.

To Err is Human.  To Educate and Encourage is Humane.

It is not much of a talent to be able to point out the 10% wrong in the work someone has done 90% correct.

It is a talent to be able to help someone feel sufficient worth and gratitude for the 90% of the work they have done well, so they feel like doing it again.

On reading

Sometimes we read a thousand lines in hopes of finding one line to share with a thousand others.

Focusing More On Enjoying The Middle Of Things

When you learn to stop focusing so much on the outcome and concentrate more on improving the quality of the middle of things, life can become a great deal more pleasant.

Sometimes it may not be good to work toward an ending.  Sometimes it may be better to work toward extending the middle of beautiful things indefinitely. 

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Artwork by Bruce Barone:

Artwork by Patric Shaw:

Artwork by Frida Kahlo:

Artwork by tetheredto:


© All rights reserved by the respective artists.

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“Things That Could Not Be Improved” Series:  1 2 3 4 5 6 7 8 9 10

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On a side note:  If you are a regular reader, you know how much I encourage and enjoy people expressing dissenting and carefully written opinions.  This last week, someone was kind enough to take the time to write some argumentative comments on the Nick Ut Pulitzer Prize winning photo post.  And being a writer, I took time to respond to his comments in writing.  I am grateful for the lively and passionate dialogue.

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4 thoughts on “Things That Could Not Be Improved # 10: Kenna Takahashi, Anne Frank, Lucy Howard-Taylor, Irène Némirovsky, Evelyn Waugh, Bruce Barone, Patric Shaw, Frida Kahlo, and tetheredto

  1. I recently read your post about Irène Némirovsky and wanted to let you know about an exciting new exhibition about her life, work, and legacy that will open on September 24, 2008 at the Museum of Jewish Heritage —A Living Memorial to the Holocaust in New York City. Woman of Letters: Irène Némirovsky and Suite Française, which will run through the middle of March, will include powerful rare artifacts — the actual handwritten manuscript for Suite Française, the valise in which it was found, and many personal papers and family photos. The majority of these documents and artifacts have never been outside of France. For fans of her work, this exhibition is an opportunity to really “get to know” Irene. And for those who can’t visit, there will be a special website that will live on the Museum’s site

    The Museum will host several public programs over the course of the exhibition’s run that will put Némirovsky’s work and life into historical and literary context. Book clubs and groups are invited to the Museum for tours and discussions in the exhibition’s adjacent Salon (by appointment). It is the Museum’s hope that the exhibit will engage visitors and promote dialogue about this extraordinary writer and the complex time in which she lived and died. To book a group tour, please contact Tracy Bradshaw at 646.437.4304 or Please visit our website at for up-to-date information about upcoming public programs or to join our e-bulletin list.

    Thanks for sharing this info with your readers. If you need any more, please do not hesitate to contact me at

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    OneMoreOption: Thank you Hannah for the considerate notice.


  2. Frida Kahlo: La Tehuana

    Vier weitere Tehuana-Kleider sind jetzt in der Frida Kahlo Ausstellung “Leid und Leidenschaft“ im Kunstmuseum Gehrke-Remund in Baden-Baden ausgestellt.

    “… als Tehuana trage ich…”, schrieb Frida Kahlo zu Nicholas Muray in Februar 1939 aus Paris. Tatsächlich machte Frida Kahlo diese Huipiles (Blusen) und Röcke, aus der Landenge von Tehuantepec im Süden Mexikos, in der ganzen Welt berühmt.

    Ab dem 1. Juni 2010 werden im Kunstmuseum Gehrke-Remund vier zusätzliche Tehuana Kleider – ursprünglich aus Mexiko – gezeigt.
    Diese vier weiteren Stücke ergänzen die vier Huipiles und Röcke, die bereits in der Ausstellung zu sehen sind.

    Jedes Exponat ist besonders wertvoll in seiner eigenen Art und Weise. Das aufwendigste Tehuana-Kleid in der Ausstellung ist ein Gala Stück: einem Rock und einer Bluse aus dem gleichen Material und Muster.
    Dessen Blumen-Muster sind handgestickt, die geometrischen Muster sind handgewebt. Es dauert mehr als 3 Monate um diese Bluse anzufertigen und fast ein Jahr für das gesamte Kleid.
    Der Rock endet mit einer weißen Spitze. Aufgrund der reichhaltigen, handgestickten Blumenmuster und der Breite des Rockes wiegt dieser fast zwei Kilo.

    Das Tehuana-Kleid Exponat ist neben dem Frida Kahlo Gemälde: “Baum der Hoffnung, bleib stark”, 1946 ausgestellt. Darauf stellt sich die mexikanische Künstlerin in einem Selbstbildnis mit einem ähnlichen Tehuana-Kleid dar.

    Die Frauen des Landenge von Tehuantepec sind bekannt als stark und unabhängig. Zur Zeit der Frida Kahlo eroberten diese die Fantasie von vielen Reisenden und Künstler. Durch das Tragen der Tehuana-Kleider, machte Frida Kahlo eine Aussage über sich selbst und ihre mexikanischen Wurzeln.

    Die Frida Kahlo Ausstellung “Leid und Leidenschaft” ist eine Dauerausstellung und zeigt 116 Gemälde Frida Kahlo: Handbemalte lizenzierten Repliken von © Banco de México Diego Rivera & Frida Kahlo Museums Trust / VG Bild-Kunst, Bonn 2008.

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    Loosely Translated From German:

    Frida Kahlo: La Tehuana

    Four other Tehuana dresses are now in the Frida Kahlo exhibition “Pain and Passion” on display in the Art Museum Gehrke-Remund in Baden-Baden.

    “… As I wear Tehuana …”, wrote to Nicholas Muray Frida Kahlo in February 1939 in Paris. In fact, this made Frida Kahlo huipiles (blouses), skirts, famous from the Isthmus of Tehuantepec in southern Mexico, all over the world.

    From 1 June 2010 will be at the Kunstmuseum Gehrke-Remund four additional Tehuana dresses – shown originally from Mexico -.
    These four other pieces complement the four huipiles and skirts that are already on display in the exhibition.

    Each exhibit is particularly valuable in its own way. The most elaborate Tehuana dress in the show is a gala piece: a skirt and a blouse of the same material and pattern.
    Its flower patterns are embroidered, the geometric patterns are hand-made. It takes more than three months to make this blouse and almost a year for the entire dress.
    The skirt ends with a white tip. Because of the rich, hand-embroidered floral patterns and the width of the skirt that weighs almost two pounds.

    The Tehuana dress exhibit is next to the Frida Kahlo painting, “tree of hope, stay strong,” issued 1946th Then, the Mexican artist is in a self-portrait with a similar Tehuana dress dar.

    The women of the Isthmus of Tehuantepec are known to be strong and independent. At the time of Frida Kahlo captured the imagination of many travelers and artists. By wearing the Tehuana dresses, made Frida Kahlo a statement about themselves and their Mexican roots.

    The Frida Kahlo exhibition “Pain and Passion” is a permanent exhibition displays 116 paintings and Frida Kahlo: Hand-painted replicas of licensed © Banco de México Diego Rivera & Frida Kahlo Museums Trust / VG Bild-Kunst, Bonn 2008th


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